But it doesn’t sound interesting and massive with just mono signal. Vocal should be in mono and in the centre of the mix. It’s because you process the whole vocal and the reverb as well when you apply effects on the mixer track if you apply the reverb as an insert hence causing muddiness in the mix.įor my reverb and delay sends, I like to OTT (over the top compression) followed by Fruity Parametric EQ 2 to cut off unwanted frequency. In my opinion, I like to apply them as sends so that I can process my reverb or delay on their individual mixer tracks because I tend to get a cleaner mix using sends. “But hey WA Production, what’s the difference between applying reverb as an insert and as a send?” This is a common question that we get asked a lot. Let me show you how to use this technique. It may seem very simple to do but all these small details are going to add a lot of power to your vocal. The technique is to utilize parallel processing for your vocal. I was amazed by the results and I started using this technique every time I process my vocal ever since. I have faced the problem before when I first started learning music production until my friend showed me this technique. Have you ever feel that your vocal can’t stand out in your mix even though you have try everything you know about vocal processing?
0 kommentar(er)
